By Pamela Espeland | 03/13/18
Maggie Bearmon Pistner, left, and Ashley Rose Montondo in a scene from “Collected Stories.” Photo by Sarah Whiting.
Donald Margulies’ play is 22 years old, but it could have been written yesterday. The questions it raises – about authenticity, identity, cultural appropriation, and if it’s ever OK for one person to steal another’s story – are ones we’re asking today, with more heat.
In “Collected Stories,” now at the Minnesota Jewish Theatre Company, Maggie Bearmon Pistner and Ashley Rose Montondo turn in strong, layered performances as Ruth Steiner, a successful Jewish author, and Lisa Morrison, her klutzy but gifted protégé. Our first clue that Lisa sees Ruth as more than a mentor comes when Lisa says, “You were lucky. You had all that rich, wonderful Jewish stuff to draw on. … What do I have? WASP culture. Which is no culture at all.” To which Ruth replies, in one of many acid zingers, “Oh, really? Tell that to Cheever and Updike.”
Ruth’s stories are more interesting to Lisa than her own. Why not use them? And don’t bother running that idea by Ruth. After all, Ruth is always saying, “Don’t tell me about it, write it. … Telling takes away the need to write. It relieves the pressure.”
The play is all conversation between the two women. Over time, their relationship shifts. Lisa becomes Ruth’s assistant; they are teacher-student, employer-employee, mother-daughter, friends, rivals. In what she assumes is a confidential moment, Ruth shares the story of her long-ago affair with poet Delmore Schwartz (a real person; we occasionally hear his voice and some of his poetry). Then Lisa bases her first novel on Ruth’s life.
The setting is Ruth’s sixth-floor Greenwich Village apartment. Filling it with books, art, a messy writer’s desk and comfortable chairs, scenic designer Michael Hoover makes it so inviting you don’t mind spending the evening there. It’s also thoroughly convincing. In the play’s first few moments, as Ruth struggles to open a sticky window, she leans out the opening and some audience members gasp. We’re already believing she’s high above the ground.
See this if 1) you enjoy plays about writers/artists, 2) you like smart, talky plays, 3) you want to explore the topic of appropriation, 4) you’ve wondered about Montondo. She made the news in 2013 when she stepped into the lead role of Elizabeth Bennet in “Pride and Prejudice” at the Guthrie, after Erin Krakow backed out for a TV series the day before rehearsals were set to begin.
Four performances remain: Wednesday and Thursday at 7:30 p.m., Saturday at 8 and Sunday at 1. FMI and tickets ($23-38); 651-647-4315.
SOURCE MATERIAL: https://www.minnpost.com/artscape/2018/03/see-it-s-gone-collected-stories-minnesota-jewish-theatre-company